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Arts:Blog

Review: Alex Stringer--Happy Hour ***

Anna Burnside reviews a performance ‘that finds the funny bits in addiction without shying away from the darkness’.

Review: Alison Spittle--BIG ****

Anna Burnside reviews a ‘raw and personal’ performance filled with ‘warmth, charm and comedic skills’.

Review: Tiff Stevenson--Post Coital ***

Anna Burnside reviews ‘a jolly hour’ with some observations that ‘ring cringingly true’.

Review: Chunky Jewellery ****

Anna Burnside reviews a ‘loving celebration’ of friendship with many recognisable moments.

Festival Review: The Marriage of Figaro ****

Anna Burnside reviews a performance that ‘offers much to love’ for those who ‘enjoy opera as a spectacle.’

Festival Review: Hamlet ****

Anna Burnside reviews a deconstruction of the classic play that proves to be ‘an uplifting experience.’

Festival Review: Comala, Comala ***

Anna Burnside reviews a performance of magical realism that works well.

Festival Review: Alison Larkin--Grief...A Comedy ***

Anna Burnside reviews a set from ‘an impressive performer.’

Festival Review: A Knock on the Roof ****

Anna Burnside reviews a production ‘with a mixture of breathless urgency and dry wit.’

Festival Review: Extraordinary Trash

Michael Cox responds to the Edinburgh International Book Festival event--and to an acclaimed production from last decade.

Festival Review: Arturo Brachetti--SOLO ***

Scott Purvis-Armour reviews a witty yet uneven production that’s still ‘a quintessential Fringe experience.’

Festival Review: Or What's Left of Us ****

Michael Cox reviews the latest production by the acclaimed company Sh!t Theatre.

Festival Review: Nigamon/Tunai ****

Michael Cox reviews an essential and moving performance.

Festival Review: Super Sexy Poetry Show ****

Michael Cox reviews a poetry performance 'with much worth listening to.'

Festival Review: Camille O'Sullivan--Loveletter *****

Scott Purvis-Armour reviews 'an essential Fringe experience.'

Festival Review: June Carter Cash--The Woman, Her Music and Me ****

Anna Burnside reviews a strong production 'with musicality and atmosphere.'

Festival Review: Aidan Sadler--Memory ***

Anna Burnside reviews a stand-up set 'with big ideas' that are underdeveloped.

Festival Review: Otter Lee--Princess Syndrome ***

Anna Burnside reviews a set from 'a likeable performer'.

Festival Review: Bellringers ***

Anna Burnside reviews 'an ambitious and worthwhile piece of work.'

Festival Review: Every Brilliant Thing ****

Anna Burnside reviews 'a masterclass in tackling trauma with drama.'

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