Joy Watters reviews a production that's 'bold and brimming with chutzpah'.
Ashling Findlay-Carroll reviews a production that is 'moving, inspiring and hilarious'.
Ashling Findlay-Carroll reviews a production 'performed with outstanding technical virtuosity'.
Ashling Findlay-Carroll reviews 'a thought-provoking show as bizarre and comical as it is infuriating'.
Edward Charles reviews a play that balances tragedy with comedy by an impressive young company.
Jo Turbitt reviews 'an absolutely delightful evening'.
Jo Turbitt reviews 'a fantastic programme of delicious dance'.
Jo Turbitt reviews a brilliant performance, part of this year's Edinburgh International Festival.
Ashling Findlay-Carroll reviews a funny production that's missing a spark.
Ashling Findlay-Carroll reviews a 'fast paced, slick, energetic' performance.
Ashling Findlay-Carroll reviews a moving call to action.
Ashling Findlay-Carroll reviews a 'heart-warming and hilarious' production.
Ashling Findlay-Carroll reviews a production that leaves audiences 'feeling delighted, calm and just a little bit bemused'.
Ashling Findlay-Carroll reviews a 'raunchy' cabaret that hits all the right buttons.
Jo Turbitt reviews a production that has a lot to say but feels a little underwhelming.
Jo Turbitt reviews a 'pure dead brilliant' show.
Ashling Findlay-Carroll speaks with the creators of Hilda & the Spectrum.
Jo Turbitt reviews 'a cocktail of seduction, sensitivity, laughter and sorrow'.
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Michael Cox reviews How to Act, A Hundred Different Words for Love, Doglife and Siri.
Michael Cox reviews an anticipated production that throws away a promising premise.
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